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Chris Carlsson is a Renaissance San Franciscan. The Bay Guardian named him a true local hero because of so many vital areas where he puts his visionary thoughts and energies into serious actions for the better of us all. He is an initiator of Critical Mass, he is the heart rate of Counter Pulse, he directs and edits Shaping San Francisco, he has edited four collections of political and historical essays. His most recent book is After The Deluge, a utopian novel of post-economic San Francisco. He was one of the original founders and long-time editor of Processed World magazine. So he's not only really smart and engaging, but he's utterly affable and inspiring.
His new book, Nowtowpia uncovers resistance and rebellion amidst fractions of a slowly recomposing working class in America. Rarely self-identifying as mere ‘workers,’ people from all walks of life are doing incredible amounts of work in their “free” “non-work” time. This unpaid work is creating immediate practical . . .
Homey hayseeds hailing from the Heights of Bernal, the Knuckle Knockers stoke the raging fires of the vintage American music tradition. Blazing fiddles, mandolin, guitar, and 5 string banjo set the bookstore in front porch toe tappin mode. The Knuckle Knockers pipe in on all the favorite themes that fill any narrative need: love & death, fire & brimstone.
The Knuckle Knockers are: Karen Celia Heil, of the Creole Belles (look for them at this year's Fiesta on the Hill) on fiddle, guitar, banjo, and vocals. Martha Hawthorne of the Stairwell Sisters (who have just released a new hot-selling album) on guitar, banjo, vocals. And Bill Foss a beloved Bay Area Old Timer who performs in everybody's band (the Crooked Jades and the Earl Brothers, et al.) because he's so dang good, on mandolin, fiddle, banjo, vocals.
http://www.myspace.com/theknuckleknockers

Just finished "Netherland" and wanted to jot down a few impressions.
One is that I enjoyed reading this novel very much. O'Neill's
descriptive powers are awesome and images he creates linger on. The
title "Netherland" refers to Holland, where the narrator [and the
author] grew up, and also to New York State, which was the former
Dutch colony "New Netherland." But "Netherland" also means literally
"low land," as in the French term for Belgium and Holland "les pays
bas." This is the nadir of Hans van der Broek's life: his lawyer wife
has taken his son back to her parents' home in England, fleeing NYC in
the wake of the 9-11 attacks. [Her criticisms of the U.S. response to
these attacks are severe.] Hans wanders the island of Manhattan, lost
in his reveries of his childhood in Holland and his failed marriage,
until by chance he's reunited with an old beloved hobby from his
youth: the game of cricket. Thus enters the transitional figure Chuck
Ramkissoon, who . . .
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